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Curator of the Main Project of the 5th Ural Industrial Biennial of Contemporary Art.
Curator at the Solomon R. Guggenheim Museum in New York. In 2015, Ms. Weng was appointed to co-head The Robert H. N. Ho Family Foundation Chinese Art Initiative. Previously she served as the founding director of the Kadist Art Foundation’s Asia Programs, Paris and San Francisco. She launched the Kadist Curatorial Collaboration, which organizes exhibitions that stimulate cultural exchange, and she oversaw artist residencies and the building of the contemporary Asian art collection. From 2009 to 2010, she worked as a curator at the Wattis Institute for Contemporary Arts at the California College of the Arts (CCA). Her other recent projects include Soft Crash at Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy (2016); Robert Zhao Renhui: Flies Prefer Yellow at Kadist Art Foundation, San Francisco (2014–15); Landscape: the virtual, the actual, the possible? at Guangdong Times Museum, Guangzhou, and Yerba Buena Center for the Arts, San Francisco (2014); Invisible Hand: Curating as Gesture, the second CAFAM International Biennial at Central Academy of Fine Arts Museum, Beijing (2014); and Ming Wong: Making Chinatown at Kadist Art Foundation, San Francisco (2013).
Weng is the recipient of the 2017 Visionary Awards, which are presented by Art in General, New York, to highlight work that champions the transformative power of art and that nurtures and supports diverse artistic talents. Weng was selected for her innovative leadership and singular contributions to the field. She was also the winner of the eighth edition of Premio Lorenzo Bonald per L’Arte Enterprize for international curators in 2015.